Others Instruments and Accessories
On this section you can find Others instruments and accessories related to the Vintage world and beyond.
We ship throughout Italy, Europe and the rest of the world.
Contact us with inquiries, and for eventual evaluation of your instrument or exchange for new.
Popularized by the British guitar legend, Hank Marvin of the “Shadows,” the Vox “Long Tom” MkII Echo Deluxe mechanically simulated an echo effect for guitars or vocals using technology
derived from an audio tape recorder. The “Long Tom” Echo Deluxe was designed and manufactured by Jennings Musical Instruments (JMI) of Dartford, Kent, UK and was introduced in the September 1964 Vox product catalog and price list. It last appeared in the 1968 VSEL Vox catalog.
MASCHINE is a cutting-edge beatmaker, drum machine, sequencer, sampler, synth, and much more. 16 high-resolution drum pads and intuitive interface mean a completely hands-on, seamless workflow for producing, playing live, integrating with outboard gear, and creating sounds, tracks, and beats.
The CP50 gives you a collection of the core sounds and technologies of Yamaha’s flagship CP1 stage piano and MOTIF XS workstation keyboard, in an affordable instrument that’s at home onstage or in the studio. From the flagship CP1, the CP50 gains a selection of voices based on Yamaha’s powerful Spectral Component Modeling (SCM). Its 12 primary acoustic and electric piano sounds utilize SCM technology. By virtually re-creating their individual physical components, SCM technology provides you with both the realistic sound and the natural response of these instruments. The result is a level of sound detail that will astonish you, as every nuance of each re-created piano comes to life under your fingertips.
As one of the most iconic tape delays ever designed, the RE-501 is the last child of Roland’s dynasty of electro-mechanical effect processors. With onboard chorus, spring reverb and noise reduction, this unit sounds so lush… it’s hard to go back to anything else once you’ve tried it.
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The complete revision of the F36 to give the Revox G36 led to the culmination and final stage in the development of tape recorders with valve electronics. The replacement of the “green series” with a more modern “grey/blue” was more than just a facelift. The device was enlarged so that it could also be used with tape reels measuring up to 26.5 cm (10.5″). For tape reel operation, a synchronous motor was used for the very first time, which guaranteed an absolute speed within very tight tolerances. With a solid integral casting, the new capstan motor, together with the pinch arm and recording head, formed a unit with particularly long-term stability. In the tape drive, a contactless photoelectric tape end switch was ultimately implemented over the course of the G36 series. To achieve even tape reeling during quick rewinds, the unwinding spool was braked slightly with a counter-tension on the winding motor. The amplifier electronics remained almost unchanged as compared to the Model F36, but with one important exception: modern illuminated indicator instruments were used as peak programme meters, called VU meters (volume units), which also allowed one valve to be eliminated. When the last Revox G36 left the production line in Regensdorf, Switzerland in 1967, one of the most successful product series in the history of the company came to an end.
CD Four Funk
CD Four Funk. Product by Grace Orange and distribution of Halidon.
Musical genre: Funk-Blues
Keki Andrei: Hammond Organ, Wurlitzer piano and Keyboards
Carmine Bloisi: Drums
Daniele Nesi: Bass
Andrea “Ranfa” Ranfagni: Vocals
Special Guest: Andrea Braido: Guitars
Vittorio Alinari: Sax
Bring your favorite studio compressor to the stage with the MXR M87 Bass Compressor. A full range of controls (Attack, Release, Ratio, Input, Output) makes it much easier to optimize your sound, from the thinnest peaks to the most disruptive compression effects. Its CHT (Costant Headroom Technology) will give you a much cleaner performance. This fully transparent compressor allows the dynamic range to shine through until the signal reaches the compression threshold, indicated by ten gain reduction status LEDs.
Designed with Ryan Ratajski founder of Fuzzrocious Pedals and indie builder of phenomenal pedals, this small and rough box provides a great stamp with all the low-end that your heart could desire. MXR has taken the sound of a notoriously bad distortion circuit and reworked it for the modern bassist. Dry & Wet level controls let you set the perfect mix for your sound needs, while the Tone control cuts the top-end of the distortion signal and the Distortion control adjusts its intensity.
Distortion III sets a new benchmark for timbre and distortion quality. Developed from scratch using carefully selected components, the D-III offers everything from sweet, sonic overdrive to massive crunch distortion! Its very natural and amp-like distortion is so versatile that it adapts to any style, and so transparent that it lets your guitar’s personality shine through.
This is the crazy effect of Jimmy Page’s solo in “Fool in the Rain”. The Blue Box Octave Fuzz takes the guitar signal and duplicates it two octaves down for a huge underground sound. The Blend knob lets you control the amount of fuzz sound that mixes with the two octave down sound. There’s really nothing like the Blue Box.